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EVENTS

One of indie rock's premier names, evolving from a punk band with strong Pixies/Sonic Youth influences to embrace ever more intricate pop experiments. All Ages. Show starts at 8pm.

Aug 29

Aug 29

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

One of indie rock's premier names, evolving from a punk band with strong Pixies/Sonic Youth influences to embrace ever more intricate pop experiments.

COME JOIN OUR SISTERHOOD! This hilarious musical parody staged to classic tunes from the '60s, '70s and '80s will have you cheering and dancing in the aisles. See what millions of women worldwide have been laughing about for over 10 years!

Sep 25

Sep 25

Doors open at 6:00 pm Starts at 7:00 pm All ages

Price: $37-$57

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Menopause The Musical® - COME JOIN OUR SISTERHOOD!



COME JOIN OUR SISTERHOOD! This hilarious musical parody staged to classic tunes from the '60s, '70s and '80s will have you cheering and dancing in the aisles. See what millions of women worldwide have been laughing about for over 10 years!

Set in a department store, four women with seemingly nothing in common but a black lace bra on sale, come to find they have more to share than ever imagined. The all-female cast makes fun of their woeful hot flashes, forgetfulness, mood swings, wrinkles, night sweats and chocolate binges. A sisterhood is created between these diverse women as they realize that menopause is no longer The Silent Passage, but a stage in every woman’s life that is perfectly normal!

“Most women know intuitively that every other woman is experiencing hot flashes or night sweats,” says author Jeanie C. Linders. “There is always a close friend or two who can sympathize or identify, but when they are sitting in a theatre with hundreds of other women, all laughing and shouting ‘That’s me! That’s me on stage!' They know what they are experiencing is normal. They aren’t alone or crazy. It becomes a sisterhood.”

It's the Hilarious Celebration of Women and The Change!®

COME JOIN OUR SISTERHOOD! This hilarious musical parody staged to classic tunes from the '60s, '70s and '80s will have you cheering and dancing in the aisles. See what millions of women worldwide have been laughing about for over 10 years!

Sep 26

Sep 26

Doors open at 6:00 pm Starts at 7:00 pm All ages

Price: $37-$57

Event Information

Menopause The Musical® - COME JOIN OUR SISTERHOOD!


Four women at a lingerie sale with nothing in common but a black lace bra AND memory loss, hot flashes, night sweats, not enough sex, too much sex and more! This hilarious musical parody set to classic tunes from the ‘60s, ‘70s and ‘80s will have you cheering and dancing in the aisles! See what millions of women worldwide have been laughing about for over 10 years!
It's the Hilarious Celebration of Women and The Change!®

“The funniest woman in America.” –Lewis Black. Show starts at 8pm.

Sep 27

Sep 27

Doors open at 7:00 pm Starts at 8:00 pm All ages

Price: $25-$35

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Kathleen Madigan is one of the most respected comedians of her generation; over her 25 year career Madigan has performed on nearly every standup television show ever made: Leno, Letterman, Conan, Ferguson and so on. She was nominated for a 2014 American Comedy Award for Best Concert Comic and her third hour-long special, Madigan Again, which iTunes named one of the Best Comedy Albums of 2013, premiered exclusively on Netflix to rave reviews and is available on CD, DVD and download. She's released 5 CDs and 3 DVDs and starred in 1 Netflix special, 1 Showtime special, 2 HBO specials, 3 Comedy Central specials and 3 CMT Salute to the Troops specials with Ron White. For more information go to www.KathleenMadigan.com and follow Kathleen on Twitter - @KathleenMadigan

with Special Guests Donna the Buffalo

Dec 5

Dec 5

Doors open at 7:00 pm Starts at 8:00 pm All ages

Price: $25-$35

Event Information

DSP

From their days playing together as teenagers to their current acoustic and electric blues, probably no one has more consistently led American music for the last 50 years — yes! — than Jorma Kaukonen and Jack Casady, the founders and continuing core members of Hot Tuna.
The pair began playing together while growing up in the Washington D.C. area, where Jack’s father was a dentist and Jorma’s father a State Department official. Four years younger, Jack continued in junior high, then high school — while playing professional gigs as lead guitarist at night before he was old enough to drive — while Jorma (who had played rhythm guitar to Jack’s lead) started college in Ohio, accompanied his family overseas, then returned to college, this time in California.
Along the way, Jorma became enamored of, then committed to, the finger-picking guitar style exemplified by the now-legendary Rev. Gary Davis. Jack, meanwhile, had taken an interest in the electric bass, at the time a controversial instrument in blues, jazz, and folk circles.
In the mid 1960s, Jorma was asked to audition to play guitar for a new band that was forming in San Francisco. Though an acoustic player at heart, he grew interested in the electronic gadgetry that was beginning to make an appearance in the popular music scene — particularly in a primitive processor brought to the audition by a fellow named Ken Kesey — and decided to join that band; soon thereafter he summoned his young friend from Washington, who now played the bass.
Thus was created the unique (then and now) sound that was The Jefferson Airplane. Jorma even contributed the band’s name, drawn from a nickname a friend had for the blues-playing Jorma. Jack’s experience as a lead guitarist led to a style of bass playing which took the instrument far beyond its traditional role.
While in The Jefferson Airplane, putting together the soundtrack of the 60s, the pair remained loyal to the blues, jazz, bluegrass, and folk influences of the small clubs and larger venues they had learned from years before. While in San Francisco and even in hotel rooms on the road, they would play together and worked up a set of songs that they would often play at clubs in the Bay Area and while on the road, often after having played a set with the Airplane. This led to a record contract; in fact, they had an album recorded before they decided to name their band Hot Tuna. With it they launched on an odyssey which has itself continued for more than 35 years, always finding new and interesting turns in its path forward.
The first thing an early Hot Tuna fans discovered at their concerts of the early 1970s was that the band was growing louder and louder. In an era in which volume often overtrumped musicianship, Hot Tuna provided both. The second thing a fan would discover was that Jack and Jorma really loved to play. “Look around for another band that plays uninterrupted three- to six-hour sets,” wrote reviewer Jerry Moore. What Moore could not have known was that had there been no audience at all, they would have played just as long and just as well, so devoted were they to making music. Of course, the audience wasn’t superfluous by any means; it energized and continues to energize their performances. Album followed album — more than two dozen in all, not counting solo efforts, side projects, and appearances on the albums of other bands and performers — and they continued to develop their interests and styles, both together and in individual pursuits. In an era in which old bands reunite for one last tour, Hot Tuna can’t because Hot Tuna never broke up.
Along the way, they have been joined by a succession of talented musicians: Drummers, harmonica players, keyboardists, backup singers, violinists, mandolinists, and more, all fitting in to Jorma and Jack’s current place in the musical spectrum. And along the way there was no list of outstanding guitarists that didn’t include Jorma, nor was there anyone who seriously thought there is a better bass player than Jack.
After two decades of acoustic and electric concerts and albums, the 1990s brought a new focus on acoustic music to Hot Tuna. More intimate venues with a more individual connection to the audience became increasingly frequent stops. Soon, the loud electric sound (and the semi trailer load of equipment) disappeared entirely from Hot Tuna tours. Maturity brought the desire to do things not instead of but in addition to being a touring band. Both had become interested in teaching, passing along what they had learned and what they had uniquely developed to a new generation of players.
In 1998 Jorma and his wife Vanessa opened Fur Peace Ranch Guitar Camp, in the beautiful rolling Appalachian foothills of southeastern Ohio.
Here, on a sprawling and rustic yet modern campus, musicians and would-be musicians come for intensive and enjoyable workshops taught by Jorma, Jack, and other extraordinary players, learning things that range from different styles of playing to songwriting and even storytelling (the musician in performance has to say something while changing that broken string!), to making a song one’s own.
In addition, there is now BreakDownWay.com, a unique interactive teaching site that comes closest of anything yet to make individual instruction available to students anywhere there is a computer and an Internet connection.
But the teaching doesn’t replace Hot Tuna’s busy tour schedule; it’s in addition to the tours. Nor have they lighened up their individual schedules. Jack released his first solo CD, Dream Factor, on Eagle Records in 2003. He has a busy and elaborate website at jackcasady.com. Jorma has a website, too, and achieved enormous critical acclaim and a Grammy nomination for his 2003 solo album, Blue Country Heart. (Both are in the Rock and Roll Hall of Fame due to their pioneering work in The Jefferson Airplane.) As 2006 began, they launched another exciting website, Hot Tuna Tunes, where fans may inexpensively download professionally made recordings of full Hot Tuna concerts in both MP3 and lossless encodings, suitable for portable player and home-burned CDs respectively. Hot Tuna Tunes is added to all the time, so it’s almost as if Hot Tuna were releasing numerous live concert albums every year. Collect the entire set!
For the last few years, Jorma and Jack have been joined in most of their Hot Tuna performances by the mandolin virtuoso Barry Mitterhoff. A veteran of bluegrass, Celtic, folk, and rock-influenced bands including “Tony Trischka and Skyline” and “Bottle Hill,” Barry has found a new voice in working with Hot Tuna, and the fit has been good — watching them play, it’s as if he’s been there from the beginning and they’re all having the time of their lives.
Jorma and Jack certainly could not have imagined, let alone predicted, where playing would take them. It’s been a long and fascinating road to numerous exciting destinations. Two things have never changed: They still love to play as much as they did as kids in Washington D.C., and there are still many, many exciting miles yet to travel on their musical odyssey.

Ira Glass is the host and creator of the public radio program This American Life. The show premiered on Chicago's public radio station WBEZ in 1995 and is now heard on more than 500 public radio stations each week by over 1.7 million listeners. 8p Showtime

Feb 14

Feb 14

Doors open at 7:00 pm Starts at 8:00 pm All ages

Price: $39.50-$69.50

Event Information

Ira Glass is the host and creator of the public radio program This American Life. The show premiered on Chicago’s public radio station WBEZ in 1995 and is now heard on more than 500 public radio stations each week by over 1.7 million listeners. Most weeks, the podcast of the program is the most popular podcast in America. The show also airs each week on the CBC in Canada and on the Australian Broadcasting Corporation’s radio network.

Glass began his career as an intern at National Public Radio’s network headquarters in Washington, DC in 1978, when he was 19 years old. Over the years, he worked on nearly every NPR network news program and held virtually every production job in NPR’s Washington headquarters. He has been a tape cutter, newscast writer, desk assistant, editor, and producer. He has filled in as host of Talk of the Nation and Weekend All Things Considered.

Under Glass’s editorial direction, This American Life has won the highest honors for broadcasting and journalistic excellence, including several Peabody and DuPont-Columbia awards. The American Journalism Review declared that the show is “at the vanguard of a journalistic revolution.”

A television adaptation of This Ameri-
can Life ran on the Showtime network for two seasons, in 2007 and 2008, winning three Emmy awards, including Outstanding Nonfiction Series. The show has put out its own comic book, three greatest hits compilations, DVDs of live shows and other events, a “radio decoder” toy, temporary tattoos and a paint-by-numbers set. Half a dozen stories are in development to become feature films. In 2013 Ira Glass received the Medal for Spoken Language from the American Academy of Arts & Letters.

Glass is married and owns a disturbingly allergic dog

One of America’s foremost comediennes continues to venture across an ever-widening range of media, starring in television, theater, motion pictures, animation and video. Please note that this performance has been rescheduled for March 5, 2015 at 8:00pm.

Mar 5

Mar 5

Doors open at 7:00 pm Starts at 8:00 pm All ages

Price: $49.50-$69.50

Event Information

PLEASE NOTE THAT THIS PERFORMANCE HAS BEEN RECHEDULED FOR MARCH 5, 2015. ALL TICKETS WILL BE HONORED.



DSP

Lily Tomlin is an award-winning star of stage and screen, known especially for comedic performances going back to her days on TV's Laugh-In in the early 1970s. She grew up in Detroit, but went to New York in 1965 to be a performer. Tomlin became a regular cast member of the comedy sketch show Laugh-In in late 1969, and soon became one of the most popular players, thanks to recurring characters such as Ernestine the telephone operator and Edith Ann, a sagacious five year-old. Tomlin left the show in 1973, having released two successful comedy records of her own, the Grammy-winning This Is A Recording (1971) and the Grammy-nominated And That's The Truth (1972, as Edith Ann). She's had a stellar career, one that includes an Oscar nomination for her performance in Robert Altman's Nashville (1975), as well as hit films such as The Late Show (1977), Nine to Five (1980, with Jane Fonda and Dolly Parton) and Flirting With Disaster (1996, starring Ben Stiller). She's won Emmys for writing TV specials in 1974, 1976, 1978 and 1981, and been a regular cast member on Murphy Brown (1996-98), The West Wing (2002-06), Damages (2010, the third season) and Desperate Housewives (2008-09). Her one-woman Broadway show in 1977, Appearing Nitely, earned a special Tony award, and she won another Tony for her performance in The Search for Signs of Intelligent Life in the Universe, a 1985 one-woman show co-written with her longtime life and writing partner, Jane Wagner. A frequent stage performer who pops up in small TV and film roles, Tomlin is also a 2003 recipient of the Mark Twain Prize for American Humor.

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107 West State Street
(607) 277-8283
Ithaca, NY 14850

State Theatre of Ithaca Inc. is a 501(c)3 not-for-profit organization that owns and operates Tompkins County’s last remaining historic theatre. Our mission is to enhance the cultural life of Ithaca and the Finger Lakes by preserving, operating and promoting the historic State Theatre as an active venue for national, international and community performances and programming.

Box Office Summer Hours: Tues-Fri 11am-4pm