Grammy-award winning singer and songwriter. The long-awaited, new studio album "Servant of Love" will be released this September. All ages.
Singer/songwriter from Maine, renowned for her poignant and melodic folk-tinged tunes, including songs that have been covered by many pop artists. Show starts at 8pm. All ages.
Southside Johnny and the Asbury Jukes are a Jersey Shore musical group led by Southside Johnny. They have been recording albums since 1976 and are closely associated with Bruce Springsteen & the E Street Band.
Since the '70s they have established their reputation as the world’s greatest (Jersey) bar band. All ages.
Dave Rawlings is an award-winning guitar player, singer, songwriter and producer best known for his work with Gillian Welch, Old Crow Medicine Show and Ryan Adams.
Dave Rawlings Machine is a collaboration between American guitarist and singer David Rawlings and his longtime musical partner American singer-songwriter Gillian Welch.
with Alberta Cross
A 9-Time Grammy winner who has sold over 40 million records, she is one of the world's most consistently intriguing singer-songwriters. All ages.
Pianist who sold millions with her beguiling vocals and a musical blend featuring jazz, traditional vocal pop, bluesy country, and contemporary folk. All Ages.
The work of Scott Bradlee & Postmodern Jukebox has been viewed on the ensemble’s YouTube channel well over a hundred million times. Most of those doing the viewing, however, are not fully aware of the method to Bradlee’s madness.
The work of Scott Bradlee & Postmodern Jukebox has been viewed on the ensemble’s YouTube channel well over a hundred million times. Most of those doing the viewing, however, are not fully aware of the method to Bradlee’s madness. On the surface, the method is video – clips of full-band performances (that’s Bradlee on piano) shot in the bandleader’s living room with a single stationary camera. The madness: pop hits of the present performed à la pop hits of the past. Miley Cyrus’ “We Can’t Stop” assayed as a doo- wop number; Macklemore and Ryan Lewis’ “Thrift Shop” tricked out in flapper jazz; Sam Smith’s “Stay With Me” rendered a 1940s big-band standard. In fact, Bradlee’s method runs deeper. He’s educating his audience about 20th-century song styles; he’s commenting on the elasticity of the pop form; he’s confounding cultural context; he’s uniting generations; he’s breaking the rules. He’s manifesting postmodernist ideas in his approach to production and business as well as music. But as far as the fans are concerned, it’s just fun (and sometimes funny). Bradlee himself will tell you, simply, “I reimagine a song in another style because I want to hear it that way.” Clearly, so does everyone else, as evidenced by PMJ’s presence on concert stages (stateside and abroad) and Billboard’s Jazz Albums chart, where its self-released 2014 opus “Historical Misappropriation” landed in the Top 10 alongside John Coltrane’s “Offering: Live at Temple University” and “All Rise: A Joyful Elegy for Fats Waller.” This proximity of Bradlee’s outfit to Waller is particularly fitting; the former, a self-taught jazz pianist, considers the latter, an innovator of the Harlem stride style who helped lay the groundwork for modern jazz piano, a key influence, as is Jellyroll Morton, James P. Johnson and Art Tatum. Which isn’t to discount the importance to Bradlee’s development of Michael Jackson’s “Bad,” the vinyl incarnation of which was, he says, “the first album I ever loved.” That was when he was six, growing up in Pattenburg, New Jersey, where he moved at four from Nesconset, New York. He took piano lessons, but they didn’t take. Then, at age 12, Bradlee heard “Rhapsody in Blue” and was forever changed. “I got the sheet music and taught myself how to play it,” he recalls. “I started wondering, ‘Where does this come from? What else sounds like this?’” Asked what appealed to him about the popular music of the 1920s, ragtime especially, he says, “I could play it fast and loud. It was brash. And it had contempt for rules, which really appealed to me.” Bradlee began his career as a jazz pianist during high school with a standing gig at a local eatery; he began his career as a pop-cultural provocateur during high school with a “this might be cool” ragtime medley of classic rock songs. “Not much has changed,” he says of the lyrical content of pop music. “In the 1920s, in the ’60s and ’70s, today – it’s still about love and drinking and dancing.” He pursued Jazz Studies at the University of Hartford, then moved to New York to become a starving artist. He booked gigs, but as he puts it, “Jazz pianists are a dime a dozen in New York City.” So he moved to Astoria to save on rent and, in 2009, started making videos. “There was this niche on YouTube where people were doing experimental, interesting, funny things with music,” he notes. “It was another way to reach an audience.” Bradlee’s first video was straight-up jazz. He didn’t have much footage of himself, however, so he decided to try a video experiment of his own: a ragtime medley of ’80s pop. He managed to amass 100 views. But through one of those viewers, Neil Gaiman discovered him. The author tweeted Bradlee’s flying fingers to his millions-strong Twitter following. Within a week, Bradlee reports, “more people had seen that video than had seen me play live my entire life.” Things went viral from there, affording Bradlee and the coalescing Postmodern Jukebox a receptive online crowd. Among Scott Bradlee & Postmodern Jukebox’s subsequent hits are a New Orleans-flavored take on Guns N’ Roses’ “Sweet Child o’ Mine” – 4+ million views; the “grandpa-style” reiteration of “Thrift Shop” – 6+ million views; and “We Can’t Stop” – 11.6 million views. Media coverage, including the likes of “Good Morning America” and NPR, ensued. How does he come up with this stuff? “A lot of pop songs are constructed of elements that lend themselves to a certain feel,” he points out. “The simple progression of the bass line in ‘Blurred Lines,’ for instance, reminded me of bluegrass. ‘Sweet Child’ sounds like an old blues song – the structure, the way the chorus repeats ...” With Cyrus, it was more an instance of tongue-in- cheeky cultural criticism: “She’d gained all that notoriety from her 2013 VMA appearance. I had to recast her song for the ’50s, which everyone thinks of as this squeaky-clean era.” Then there were the gifts from the pop-music gods, like Meghan Trainor’s #1 hit “All About That Bass.” Bradlee knew a musiciansinger named Kate Davis. “I’d wanted to do something with Kate for a while,” he reveals, “but I was waiting for the right song to come along.” Check the PMJ video for “All About That Bass” and you’ll find Davis singing – and playing stand-up bass. If you do click there, you’ll be in good company: 10 million views and counting. The mashup of Davis and Trainor is some good old-fashioned A&R. The repertoire Bradlee selects for PMJ’s vocal artists has furnished a platform for some very talented but previously littleknown performers. And it’s not just the eyeballs afforded by YouTube; Bradlee provides an intuitive musical context for the singular gifts of these singers that allows them to be seen in a new light – it’s as if he’s somehow cracked the code to their essential appeal. Take Puddles. “Last week, a seven-foot clown dropped by my apartment to sing an epic cover of Lorde’s ‘Royals.’ NBD,” Bradlee blogged in November of 2013. Puddles the Clown (née Michael Geier), frontman for Puddles Pity Party, is possessed of a dramatic baritone that has thrilled cabaret-goers for years – but it wasn’t until Bradlee asked Puddles to cover “Royals” in his signature style that he clicked with a mainstream audience. The reinterpretation of Lorde’s chart-topper, just one of Puddles’ collaborations with PMJ, has been viewed more than nine million times. Discovering talent and knowing what to do with it is fundamental to the business of music. Bradlee is something of a postmodernist here, too, having achieved renown doing everything himself, mostly online, “with no budget” (i.e. using the recording equipment he’d had since college). His adherence to the DIY ethos also suggests the decidedly postmodern form of punk rock. “I was a struggling jazz pianist sitting in my basement apartment in Queens,” he attests, “but I just figured it out and made it happen.” That said, punk rock is likely not top of mind for those attending a Scott Bradlee & Postmodern Jukebox show. The scene is more reminiscent of a speakeasy, with swells in vintage threads swilling Prohibition-era cocktails. “It’s a variety show, a musical revue featuring special guests,” Bradlee illuminates. “Coming to a PMJ show is like time-traveling back to Old Hollywood – it’s an experience.” Creating that for audiences appears to be PMJ’s ultimate mission.
Eldest son of folk legend Woody Guthrie, popular folksinger in his own right, Thanksgiving legend with "Alice's Restaurant Massacree."
Arlo Guthrie was born with a guitar in one hand and a harmonica in the other, in Coney Island, Brooklyn, New York in 1947. He is the eldest son of America's most beloved singer/writer/philosopher Woody Guthrie and Marjorie Mazia Guthrie, a professional dancer with the Martha Graham Company and founder of The Committee to Combat Huntington's Disease. For more than a decade, Arlo has toured worldwide with different shows: An America Scrapbook, beginning 1998 (with symphony orchestras), The Guthrie Family Legacy Tour, beginning 2006 (with various family members), Boys Night Out Tour, beginning 2008 (with his son, Abe Guthrie and Grandson, Krishna), The Lost World Tour, beginning 2008 (with a big band and The Burns Sisters), The Guthrie Family Rides Again Tour beginning in 2009 (with the entire family), The Journey On Tour beginning 2010 (Big band & The Burns sisters), The Guthrie Family Reunion Tour beginning 2012 (The whole family), Here Comes The Kid - The Woody Guthrie Centennial Tour beginning 2012), Here Come The Kid(s) beginning in 2013 (continuing the Woody Centennial). The Centennial celebration tour ends May 2014. Interspersed between all the tours was the recurring "Arlo Guthrie Solo Reunion Tour - Together At Last," which was certainly the best named tour. The currant version of the solo tour runs from June 2014 - November 2014. After the solo tour Arlo will put "Alice's Restaurant" back on the setlist menu for "The Alice's Restaurant 50th Anniversary Tour", with will run from January 2015 through May 2016. If he survives the "Alice 50 Tour" he will go fishing. He grew up surrounded by dancers and musicians: Pete Seeger, Ronnie Gilbert, Fred Hellerman and Lee Hays (The Weavers), Leadbelly, Cisco Houston, Ramblin' Jack Elliott, Sonny Terry and Brownie McGhee, all of whom were significant influences on Arlo's musical career. Guthrie gave his first public performance in 1961 at age 13 and quickly became involved in the music that was shaping the world. Over the next few years, Arlo inherited his father's friend Pete Seeger and the two toured together, between demonstrations, beginning in the late 60's. They continued doing over a dozen shows together almost every year for the next 40 years creating a legendary collaboration that continues to this day. The last Pete & Arlo show was in November 2012 at Carnegie Hall in New York City. Arlo practically lived in the most famous venues of the "Folk Boom" era. In New York City he hung out at Gerdes Folk City, The Gaslight and The Bitter End. In Boston's Club 47, and in Philadelphia he made places like The 2nd Fret and The Main Point his home. He witnessed the transition from an earlier generation of ballad singers like Richard Dyer-Bennet and blues-men like Mississippi John Hurt, to a new era of singer-song writers such as Bob Dylan, Jim Croce, Joan Baez, and Phil Ochs. He grooved with the beat poets like Allen Ginsburg and Lord Buckley, and picked with players like Bill Monroe and Doc Watson. He learned something from everyone and developed his own style, becoming a distinctive, expressive voice in a crowded community of singer-songwriters and political-social commentators. Arlo Guthrie's career exploded in 1967 with the release of "Alice's Restaurant", whose title song premiered at the Newport Folk Festival helped foster a new commitment among the '60s generation to social consciousness and activism. Arlo went on to star in the 1969 Hollywood film version of "Alice's Restaurant", directed by Arthur Penn. With songs like "Alice's Restaurant", too long for radio airplay; "Coming into Los Angeles", banned from many radio stations (but a favorite at the 1969 Woodstock Festival); and the definitive rendition of Steve Goodman's "City of New Orleans", Guthrie was no One-Hit-Wonder. An artist of international stature, he has never had a 'hit' in the usual sense. He has usually preferred to walk to his own beat rather than march in step to the drum of popular culture. Over the last five decades Guthrie has toured throughout North America, Europe, Asia, Africa and Australia winning a wide, popular following. In addition to his accomplishments as a musician, playing the piano, six and twelve-string guitar, harmonica and a dozen other instruments, Arlo is a natural-born storyteller, whose tales and anecdotes figure prominently in his performances. In 1991 Arlo purchased the old Trinity Church. It was Thanksgiving 1965 that events took place at the church which inspired Arlo to write the song "Alice's Restaurant". Named for his parents, The Guthrie Center is a not-for-profit interfaith church foundation dedicated to providing a wide range of local and international services. Its outreach programs include everything from providing HIV/AIDS services to baking cookies with a local service organization; an HD walk-a-thon to raise awareness and money for a cure for Huntington's Disease, and offering a place simply to meditate. The Guthrie Foundation is a separate not-for-profit educational organization that addresses issues such as the environment, health care, cultural preservation and educational exchange. Arlo Guthrie, Rising Son Records and The Guthrie Center & Foundation are on the World Wide Web at http://www.risingsonrecords.com/
One of the youngest stand-up comedians ever to hit it big, Bo Burnham was performing at festivals and signing record deals while barely out of high school. All Ages.
Bo Burnham is an American comedian, singer-songwriter, musician, poet, and actor. Writingcomedic and satirical songs with a politically incorrect slant, he achieved fame when his YouTube gained great popularity; as of April 2015 his videos had been watched more than 152 million times.
Canadian songsmith who achieved the perfect marriage of folk and pop with understated, tasteful arrangements topped by his gentle burr of a voice. All Ages.
"50 YEARS ON THE CAREFREE HIGHWAY TOUR"
After 50 active years of hit song making and international album sales well into the multi-millions, it's safe to say that esteemed singer-songwriter and musician Gordon Lightfoot resides with some very exclusive company atop the list of all-time greats. His song catalog is incredibly vast and includes such immortals as “Early Morning Rain,” “If You Could Read My Mind,” “Carefree Highway,” “Sundown,” “(That's What You Get) For Lovin Me,” “The Wreck Of The Edmund Fitzgerald," "Cold On The Shoulder", "Canadian Railroad Trilogy," "Ribbon Of Darkness," "Beautiful," "Song For A Winter's Night", "Shadows", "Rainy Day People", "Did She Mention My Name" and "Summertime Dream to name just a few.
But this year is special for the legendary artist who has announced plans for a cross-country USA tour entitled "Gordon Lightfoot - 50 Years On The Carefree Highway". The tour will feature his well known hits as well as some deep album cuts for the die-hard fans. All of which are woven together with some of Lightfoot's own behind the scenes stories and personal anecdotes about his historic 50year musical career. The event is sure to be a great thrill for live audiences and anyone who enjoys hearing great music and seeing a living legend in person.
Gordon Lightfoot has recorded 20 albums and has five Grammy nominations. His songs have been aired regularly for 50 years, earning him Radio Singles Chart Positions in North America achieved by few others. Lightfoot's radio hits in the USA have earned Five #1s, Five Top 10s and Thirteen Top 40 hits. In Canada he has earned Sixteen #1s, Eighteen Top 10s and Twenty One Top 40 hits.
Aside from his success in writing, singing and performing his own music, Lightfoot's songs have been recorded and performed by some of the greatest of all time including: Bob Dylan, Elvis Presley, Johnny
Cash, Hank Williams, Jr., Marty Robbins, Jerry Lee Lewis, Judy Collins, Eric Clapton, Johnny Mathis, Anne Murray, Olivia Newton-John, Sarah McLachlan, Barbra Streisand, Peter Paul & Mary, Harry Belafonte, Jane’s Addiction, Richie Havens, Glen Campbell, Toby Keith, Alison Krauss and George Hamilton IV.
In June of 2012 Lightfoot's legacy was further enhanced when he was inducted into the Songwriters Hall Of Fame. Lightfoot was honored for his role in defining the folk-pop sound of the 1960s and '70s. There are fewer than 400 inductees who make up the impressive roster enshrined in the Songwriters Hall of Fame including: Burt Bacharach, John Fogerty, Bob Dylan, Carole King, Paul Simon, Billy Joel, Elton John, Brian Wilson, James Taylor, James Brown, Bruce Springsteen, Jim Croce, Phil Collins, Loretta Lynn, Van Morrison, Kris Kristofferson, Dolly Parton, Diane Warren, Garth Brooks, and Leonard Cohen.
In his native Canada, Lightfoot has been decorated with the highest honors bestowed to a civilian including the Governor's General Award and the Companion to the Order of Canada honor of merit. He has also won 17 Juno Awards - Canada's equivalent to the Grammy Awards. Gordon is a member of Canada's Walk of
Fame and The Canadian Songwriters Hall of Fame. In 2007, Canada Post honored him by issuing an official
Gordon Lightfoot postage stamp. Lightfoot is also in the Canadian Music Hall of Fame and the Canadian Country Music Hall of Fame. Gordon Lightfoot is an indelible part of the Canadian national spirit and regarded as perhaps the most prolific and greatest Canadian singer-songwriter of all time.
"Lightfoot became a mentor for a long time. I think he probably still is to this day. I can't think of any Gordon Lightfoot song I don't like. Every time I hear a song of his, I wish it would last forever. "
- Bob Dylan
"Gordon Lightfoot has created some of the most beautiful and lasting music of our time. He is Bob Dylan's favorite singer/songwriter - high praise from the best of us, applauded by the rest of us."
- Kris Kristofferson
"I've always been trying to write songs like Lightfoot. A song of mine like 'Come
Monday' is a direct result of me trying to write a Gordon Lightfoot song."
- Jimmy Buffett
"Canadian Railroad Trilogy is an extremely fine piece of songwriting. "
- Johnny Cash
with Darryl Rahn & The Lost Souls
Although they evolved into a full-fledged pop band, Guster began their career as a quirky acoustic trio. All Ages.
A successful alternative pop band whose relentless touring and humorous stage banter helped develop a strong, grassroots fan base. All Ages.
Playing guitar since age eight and crafting songs since his teenage years, Green has always known he wanted to write music and sing: mostly for himself, to find peace and clarity amongst the chaos. With special guest Bahamas. All Ages.
City & Colour is the folk-leaning side-project of Alexisonfire's Dallas Green. Tickets on sale 7/24 at 10AM.
An unusual musical talent, performing reggae toasts over dancehall beats in full Hasidic regalia. All Ages.
In celebration of the 10th anniversary of his breakthrough album, Live at Stubb’s, Matisyahu has taken a new look at the music that first made his reputation in Live at Stubb’s III: A 10-Year Journey. In two stripped-back sit-down shows in March of 2015, Matisyahu performed new arrangements of his early reggae hits from the original album, along with a selection of later favorites up through Akeda. This tour reconnects Matisyahu with long-time musical collaborators and friends from his early touring days, including Live at Stubb's guitarist Aaron Dugan. Matisyahu and his band will present an evening of stripped-back arrangements highlighting the music that launched his career while taking fans of all ages on a journey through the evolution of Live at Stubb’s to his most recent release Akeda.
Eclectic roots band Punch Brothers plays an innovative mix of contemporary bluegrass, rock, classical, and jazz. All ages.
Eclectic roots band Punch Brothers plays an innovative mix of contemporary bluegrass, rock, classical, and jazz.
Get The Led Out is a group of professional musicians who are passionate about their love of the music of Led Zeppelin. All Ages.
Get The Led Out is a group of professional musicians who are passionate about their love of the music of Led Zeppelin. It's been their mission to bring the studio recordings of "the mighty Zep" to life on the big concert stage. This is not an impersonator act but rather a group of musicians who were fans first, striving to do justice to one of the greatest bands in rock history!
"A quiet delight... brought to memorable life." - LOS ANGELES TIMES
After much demand, that little caterpillar is returning, along with an assortment of favourite puppet characters. The triple-bill includes the wonderful story of THE VERY HUNGRY CATERPILLAR's metamorphosis into a beautiful butterfly; the fanciful account of LITTLE CLOUD's travels through the sky, and the MIXED-UP CHAMELEON's discovery of his own unique nature. The whimsical tales have enchanted several generations, and Mermaid's acclaimed stage adaptation teaches as well as entertains.
The Moth, founded in 1997, is a New York-based non-profit organization dedicated to the art and craft of storytelling. The Moth offers a weekly podcast and in 2009 launched a national public radio show, The Moth Radio Hour. All Ages.
“It is brilliant and quietly addictive” – The London Guardian
“New York’s hottest and hippest literary ticket” – The Wall Street Journal
The Moth is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling. It is a celebration of both the raconteur, who breathes fire into true tales of ordinary life, and the storytelling novice, who has lived through something extraordinary and yearns to share it. At the center of each performance is, of course, the story – and The Moth’s directors work with each storyteller to find, shape and present it.
Since its launch in 1997, The Moth has presented thousands of stories, told live and without notes, to standing-room-only crowds worldwide.
Moth shows are renowned for the great range of human experience they showcase. Each show starts with a theme, and the storytellers explore it, often in unexpected ways. Since each story is true and every voice authentic, the shows dance between documentary and theater, creating a unique, intimate, and often enlightening experience for the audience.
Moth stories dissolve socio-economic barriers, expose vulnerabilities, and quietly suggest ways to overcome challenges and see with new eyes.
The Moth Mainstage is our flagship program and features stories by luminaries in the arts and sciences, newsmakers and news breakers, and everyday heroes (and even a few reformed villains!). Each show features five storytellers who develop and shape their stories with The Moth’s directors. Beyond a mere theatrical experience, The Moth is an ever-growing community where entertainment, enlightenment and festivity merge.
The Moth Mainstage is a staple of the literary and art scenes in New York City and Los Angeles, but also tours throughout the United States and abroad. On the road, favorite storytellers from past Moth shows share the stage with local voices.
As the director emeritus of the famed Columbus Zoo and Aquarium, Jack’s stories range from brushing a hippo’s teeth to eating with wombats! All Ages. Doors open at 2pm.
Pump, pump the jam – Jack Hanna style
Through the jungles of Rwanda to the savanna’s of Australia, Jungle Jack Hanna has explored the corners of the globe as one of the most visible and respected animal ambassadors. This Emmy-Award winning TV host and lifelong animal advocate loves sharing his knowledge and passion for animals, and is honored to speak with you today.
As the director emeritus of the famed Columbus Zoo and Aquarium, Jack’s stories range from brushing a hippo’s teeth to eating with wombats!
You have stayed up late to watch him on The Late Show with David Letterman or woken up early to catch him on Good Morning America – now enjoy this awe-inspiring program as you learn about some of the world’s amazing animal species and the wild adventures of Jungle Jack Hanna! So sit back and relax as Jungle Jack’s infectious energy takes you “into the wild!”
"Jeff McBride: Best Magician of Las Vegas..." - Las Vegas Review Journal. All Ages.
Jeff McBride, creator of McBride's Magic & Mystery School, recently named Magician of the Year by the Magic Castle in California.
His magic performance art combines mime, masks, Kabuki Theatre, world-class sleight of hand and grand illusion. All ages.